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The four-time Oscar winner talks about the VFX front runner.</div></div>
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Terrence Masson talks about preparing educators and students through a pioneering new approach to interdisciplinary collaboration.</div></div>
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VFX supervisor James McQuaide reveals the 3-D and Uber Lycan creature work of the fourth Underworld film.</div></div>
</li><li><div class='view-item view-item-mag-vfx-feature'><div class='view-field view-data-node-data-field-ftrd15pic-field-ftrd15pic-fid'><img src="http://www.awn.com/files/redtails_310_0.jpg" alt="redtails_310.jpg" title="redtails_310.jpg" width="310" height="174" class="imagefield imagefield-field_ftrd15pic" /></div><div class='view-field view-data-node-title'><a href="/articles/visual-effects/flying-red-tails">Flying with <em>Red Tails</em></a> </div><div class='view-field view-data-node-body'><div style="width: 90px" class="image-attach-teaser"><a href="/articles/visual-effects/flying-red-tails"><img src="http://www.awn.com/files/images/redtails_90.jpg" alt="redtails_90.jpg" title="redtails_90.jpg" class="image image-thumbnail " width="90" height="70" /></a></div>
ILM supervisor Craig Hammack sweeps through the VFX challenges of George Lucas' pet project about the top guns of World War II.</div></div>
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ILM visual effects supervisor Ben Snow shares his insights on turning sultry underwater vixens into vicious battling mermaids, all in stereoscopic 3-D</div></div>
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Framestore's Ben Morris describes how they managed to make us believe they never touched a shot in Steven Spielberg's Oscar contender.</div></div>
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Steven Spielberg tells us about the journey to make his first animated feature.</div></div>
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Framestore's Christian Kaestner debriefs us about the reworking of John Le Carre's <i>Tinker Tailor Soldier Spy</i> with director Tomas Alfredson.</div></div>
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In the first part of a three-part chapter excerpt, Stephen Burns begins with a tutorial on creating the initial landscape using auto align layers.</div></div>
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John Bruno breaks down the VFX highlights of the penultimate <i>Twilight</i>, directed by Bill Condon.</div></div>
</li><li><div class='view-item view-item-mag-vfx-feature-mini'><div class='view-field view-data-node-data-field-ftrd16pic-field-ftrd16pic-fid'><img src="http://www.awn.com/files/MuppetsTH_150_0.jpg" alt="MuppetsTH_150.jpg" title="MuppetsTH_150.jpg" width="150" height="100" class="imagefield imagefield-field_ftrd16pic" /></div><div class='view-field view-data-node-title'><a href="/articles/article/finessing-muppets">Finessing the <em>Muppets</em></a> </div><div class='view-field view-data-node-body'><div style="width: 90px" class="image-attach-teaser"><a href="/articles/article/finessing-muppets"><img src="http://www.awn.com/files/images/MuppetsTH_90.jpg" alt="MuppetsTH_90.jpg" title="MuppetsTH_90.jpg" class="image image-thumbnail " width="90" height="70" /></a></div>
Max Ivins discusses how Look FX helped refine Jim Henson's beloved furry friends for their big-screen comeback.</div></div>
</li><li><div class='view-item view-item-mag-vfx-feature-mini'><div class='view-field view-data-node-data-field-ftrd16pic-field-ftrd16pic-fid'><img src="http://www.awn.com/files/HugoTH_150_0.jpg" alt="HugoTH_150.jpg" title="HugoTH_150.jpg" width="150" height="100" class="imagefield imagefield-field_ftrd16pic" /></div><div class='view-field view-data-node-title'><a href="/articles/3d/vfx-3-d-convergence-hugo">A VFX & 3-D Convergence for <em>Hugo</em></a> </div><div class='view-field view-data-node-body'><div style="width: 90px" class="image-attach-teaser"><a href="/articles/3d/vfx-3-d-convergence-hugo"><img src="http://www.awn.com/files/images/HugoTH_90.jpg" alt="HugoTH_90.jpg" title="HugoTH_90.jpg" class="image image-thumbnail " width="90" height="70" /></a></div>
Rob Legato and Ben Grossmann divulge the secrets behind Martin Scorsese's first foray into 3-D.</div></div>
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Tippett Studio takes on MoCap for the first time in the new bloodthirsty epic by director Tarsem Singh.</div></div>
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